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Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")
Charles Meryon, 1863
1.70 m
13 cm × 29 cm
About the size of a sheet of A4. You would need 6 of them to reach a person's height.
Against things you know the size of
- Height
- 29 cm
- Width
- 13 cm
- Medium
- etching on D&C Blauw paper
- Kind
- Where the measurement comes from
- Measured by the museum. The dimension is the one recorded by the institution that holds the work.
- Credit
- Rosenwald Collection
Ask this work
Five questions, answered from its own record. What is AGAI?
- How big is it?
- 13 cm × 29 cm. About the size of a sheet of A4. Measured by the museum.
- When was it made, and when is it everyone’s?
- Made 1863. It is in the public domain, and National Gallery of Art publishes it for open use.
- Whose is it?
- Everyone’s to see. It is held by National Gallery of Art: Rosenwald Collection.
- How was it made?
- Etching on D&C Blauw paper.
- Who speaks for it?
- Its record at National Gallery of Art. Measured by the museum. This gallery adds nothing it cannot cite.
Its colours
Read from the picture. Copy a colour, keep the palette, or furnish a room in it. My palettes
The gallery's walk hangs a selection. This work can hang in a room of its own, with five works that hang well beside it, at their real size.
Hang it in the gallery Record at National Gallery of Art
Four works a week, shown at their real size
One email. The smallest thing in the collection, the largest, and two that hang well together.
Hangs well beside
Scored on colour, shape, era and scale, the same way the gallery hangs them.
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9.3 cm × 18 cm -
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Peter Schlemihls wundersame Geschichte: Kämpfe. Qualen der Liebe (Peter Schlemihl's Wondrous Story: Battles. The Agonies of Love)
22 cm × 33 cm -
Virgin of the Immaculate Conception
21 cm × 30 cm -
Die Klugheit Beleuchtet die Gemeinheit
22 cm × 30 cm