ACTUAL SIZE

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Hunting and Pastoral Scenes, with a shepherdess shearing

design probably French 16th Century, Paris; woven in southern Netherlands or Paris in an undetermined workshop, c. 1510

Hunting and Pastoral Scenes, with a shepherdess shearing by design probably French 16th Century, Paris; woven in southern Netherlands or Paris in an undetermined workshop
Hunting and Pastoral Scenes, with a shepherdess shearing by design probably French 16th Century, Paris; woven in southern Netherlands or Paris in an undetermined workshop, 4.45 m × 3.05 m
1.70 m
Both at true scale.

4.45 m × 3.05 m

A storey and a half of a house. Stood on end it is 2.6 people tall.

Against things you know the size of

This work 3.05 m Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
3.05 m
Width
4.45 m
Medium
wool warp and weft with silk highlights in weft
Kind
Decorative Art
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
Credit
Corcoran Collection (William A. Clark Collection, 1926)

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
4.45 m × 3.05 m. A storey and a half of a house. Measured by the museum.
When was it made, and when is it everyone’s?
Made c. 1510. It is in the public domain, and National Gallery of Art publishes it for open use.
Whose is it?
Everyone’s to see. It is held by National Gallery of Art: Corcoran Collection (William A. Clark Collection, 1926).
How was it made?
Wool warp and weft with silk highlights in weft.
Who speaks for it?
Its record at National Gallery of Art. Measured by the museum. This gallery adds nothing it cannot cite.

This work is in the reference only. The gallery hangs a selection of the collection at real size.

Walk the gallery Record at National Gallery of Art

Four works a week, shown at their real size

One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.