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Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice)

Sebastiano Ricci, Lodovico Ughi, Giovanni Antonio Faldoni for the map, with Francesco Zucchi (mostly after Luca Carlevariis) for the views, 1729

Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice) by Sebastiano Ricci, Lodovico Ughi, Giovanni Antonio Faldoni for the map, with Francesco Zucchi (mostly after Luca Carlevariis) for the views
Iconografica Rappresentatione della Inclita Città di Venezia (Iconongraphic Representation of the Illustrious City of Venice) by Sebastiano Ricci, Lodovico Ughi, Giovanni Antonio Faldoni for the map, with Francesco Zucchi (mostly after Luca Carlevariis) for the views, 2.64 m × 1.49 m
1.70 m
Both at true scale.

2.64 m × 1.49 m

It would not fit through your front door. Stood on end it is 1.6 people tall.

Against things you know the size of

This work 1.49 m Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
1.49 m
Width
2.64 m
Medium
etching and engraving on twenty joined sheets of laid paper
Kind
Print
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
Credit
The Ahmanson Foundation

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
2.64 m × 1.49 m. It would not fit through your front door. Measured by the museum.
When was it made, and when is it everyone’s?
Made 1729. It is in the public domain, and National Gallery of Art publishes it for open use.
Whose is it?
Everyone’s to see. It is held by National Gallery of Art: The Ahmanson Foundation.
How was it made?
Etching and engraving on twenty joined sheets of laid paper.
Who speaks for it?
Its record at National Gallery of Art. Measured by the museum. This gallery adds nothing it cannot cite.

This work is in the reference only. The gallery hangs a selection of the collection at real size.

Walk the gallery Record at National Gallery of Art

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One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.