ACTUAL SIZE

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The Bird Catcher, from The Noble Pastoral

François Boucher, Designed, 1748; commissioned by June 1778; woven between June 27, 1778 and Sept. 17, 1780

The Bird Catcher, from The Noble Pastoral by François Boucher
The Bird Catcher, from The Noble Pastoral by François Boucher, 5.72 m × 3.7 m
1.70 m
Both at true scale.

5.72 m × 3.7 m

Longer than a car. Stood on end it is 3.4 people tall.

Against things you know the size of

This work 3.7 m Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
3.7 m
Width
5.72 m
Medium
Wool and silk, slit and double interlocking tapestry weave
Kind
Textile
Made in
Beauvais
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
As the museum records it
572.2 × 369.7 cm (225 1/4 × 145 5/8 in.)
Why this differs from the record
Recorded as 3.7 m × 5.72 m. Hung the other way up, because the photograph of it is.
Credit
Gift of Flora Whitney Miller, Barbara Whitney Henry, and Major Cornelius Vanderbilt Whitney in memory of their mother, Gertrude Vanderbilt Whitney

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
5.72 m × 3.7 m. Longer than a car. Measured by the museum.
When was it made, and when is it everyone’s?
Made Designed, 1748; commissioned by June 1778; woven between June 27, 1778 and Sept. 17, 1780. It is in the public domain, and The Art Institute of Chicago publishes it for open use.
Whose is it?
Everyone’s to see. It is held by The Art Institute of Chicago: Gift of Flora Whitney Miller, Barbara Whitney Henry, and Major Cornelius Vanderbilt Whitney in memory of their mother, Gertrude Vanderbilt Whitney.
How was it made?
Wool and silk, slit and double interlocking tapestry weave, made in Beauvais.
Who speaks for it?
Its record at The Art Institute of Chicago. Measured by the museum. This gallery adds nothing it cannot cite.

Stand next to it in the gallery Record at The Art Institute of Chicago

Four works a week, shown at their real size

One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.