ACTUAL SIZE

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Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746

Charles-Nicolas Cochin, c. 1746

Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746 by Charles-Nicolas Cochin
Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746 by Charles-Nicolas Cochin, 31 cm × 45 cm
1.70 m
Both at true scale.

31 cm × 45 cm

About the size of an open laptop. You would need 4 of them to reach a person's height.

Against things you know the size of

This work 45 cm Phone 15 cm A4 sheet 30 cm Person 1.7 m Doorway 2.03 m
Height
45 cm
Width
31 cm
Medium
Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer
Kind
Drawing
Made in
France
Where the measurement comes from
Measured by the museum. The dimension is the one recorded by the institution that holds the work.
As the museum records it
Sheet: 45 x 30.9 cm (17 11/16 x 12 3/16 in.)
Credit
John L. Severance Fund

Ask this work

Five questions, answered from its own record. What is AGAI?

How big is it?
31 cm × 45 cm. About the size of an open laptop. Measured by the museum.
When was it made, and when is it everyone’s?
Made c. 1746. It is in the public domain, and The Cleveland Museum of Art publishes it for open use.
Whose is it?
Everyone’s to see. It is held by The Cleveland Museum of Art: John L. Severance Fund.
How was it made?
Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer, made in France, France.
Who speaks for it?
Its record at The Cleveland Museum of Art. Measured by the museum. This gallery adds nothing it cannot cite.

Stand next to it in the gallery Record at The Cleveland Museum of Art

Four works a week, shown at their real size

One email. The smallest thing in the collection, the largest, and two that hang well together.

Hangs well beside

Scored on colour, shape, era and scale, the same way the gallery hangs them.