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The Diversion of the Euphrates from The Story of Cyrus
Workshop of Gillis Ydens, c. 1670
1.70 m
3.25 m × 4.05 m
A storey and a half of a house. Stood on end it is 2.4 people tall.
Against things you know the size of
- Height
- 4.05 m
- Width
- 3.25 m
- Medium
- Wool and silk, slit and single interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–1.0 mm Weft: Count: varies from 19 to 44 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.5 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.15–0.5 mm
- Kind
- Textile
- Made in
- Brussels
- Where the measurement comes from
- Measured by the museum. The dimension is the one recorded by the institution that holds the work.
- As the museum records it
- 325.4 × 404.8 cm (128 1/8 × 159 3/8 in.)
- Why this differs from the record
- Recorded as 4.05 m × 3.25 m. Hung the other way up, because the photograph of it is.
- Credit
- Gift of Honoré Palmer
Ask this work
Five questions, answered from its own record. What is AGAI?
- How big is it?
- 3.25 m × 4.05 m. A storey and a half of a house. Measured by the museum.
- When was it made, and when is it everyone’s?
- Made c. 1670. It is in the public domain, and The Art Institute of Chicago publishes it for open use.
- Whose is it?
- Everyone’s to see. It is held by The Art Institute of Chicago: Gift of Honoré Palmer.
- How was it made?
- Wool and silk, slit and single interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.6–1.0 mm Weft: Count: varies from 19 to 44 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.5 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.15–0.5 mm, made in Brussels.
- Who speaks for it?
- Its record at The Art Institute of Chicago. Measured by the museum. This gallery adds nothing it cannot cite.
Its colours
Read from the picture. Copy a colour, keep the palette, or furnish a room in it. My palettes
Stand next to it in the gallery Record at The Art Institute of Chicago
Four works a week, shown at their real size
One email. The smallest thing in the collection, the largest, and two that hang well together.
Hangs well beside
Scored on colour, shape, era and scale, the same way the gallery hangs them.